In turn, as the Festival grew, we discovered there was an audience hungry for them. They found a home at Sundance, not just because they represented the “others,” but because they were, by nature, good and fresh and exciting. It is understandable that examples of these films usually came from other cultures, other belief systems, other points of view - the stories not being represented in mainstream Hollywood films. When I think back to the original concept for both the Institute’s labs and the Festival itself, as laid out by our founder Robert Redford, the idea was to support the most original and interesting work possible. Although it was a founding goal of Sundance Institute to be inclusive on every level of support for artists, the actual practice of showing diverse work has been a very organic and natural progression. LGBTQ+ films have been a staple of the Sundance Film Festival for decades - since the Institute’s inception back in the early 1980s, actually. PS: The Sundance Institute is now on Letterboxd! Check out this list there and give us a follow. He originally joined Sundance Institute in 1989. John Cooper is the emeritus director of the Sundance Film Festival, a role he stepped into this summer after serving as Festival director from 2010 to 2020.
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