Įarly in the 20th century, blackface branched off from the minstrel show and became a form of entertainment in its own right, including as Tom Shows parodying abolitionist Harriet Beecher Stowe's 1852 novel Uncle Tom's Cabin. It contributed to the spread of racial stereotypes such as "Jim Crow," the "happy-go-lucky darky on the plantation," and "Zip Coon" also known as the " dandified coon." By the middle of the 18th century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. In the United States, the practice became a popular entertainment during the 18th century into the 19th. West minstrel show poster, originally published by the Strobridge Lithographing Company, shows the transformation from a person of European descent to a caricature of a dark-skinned person of African descent.īlackface is the practice of non- black performers using burnt cork or theatrical makeup to portray a caricature of black people on stage or in entertainment. For other uses, see Blackface (disambiguation).
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